This works with the pressure sensitivity of a pen tablet. On both layers, you can set the minimum and maximum sizes of your tool, which produces the thick and thin effect on your line. The brush properties available depend on whether you are drawing on a vector or bitmap layer. Enter a value from 0 to 100 to blur the contents of the layer.Right-click the layer(s) and select Blur Bitmap Layer, or select Layer > Blur Bitmap Layer from the top menu.If the layer you want to blur is on a vector layer, you must first convert it to a bitmap layer -see Converting Layers. The layer is converted as indicated by the layer indicated colour and icon.ĭepending on the type of layer you select, here are the tools available: Select Layer > Convert Vector Layer, Convert to Bitmap Layer or Convert to Drawing Layer. Right-click the selected layer and select Convert Vector Layer, Convert to Bitmap Layer or Convert to Drawing Layer. NOTE: When you convert from vector to bitmap, the vector data is lost, so if you convert back to vector, what you get is a vector region with a bitmap inside of it Particularly when you want a wide variety in colour and shading, this is where you will see the real advantage. Recommended Use: When creating drawings with a lot of texture, for a natural media feel. Also, it can be difficult to reuse the drawing at multiple distances. Simply draw and erase, like you would on paper.
#STORYBOARD PRO 4 FULL#
Also, you have full artistic control over the style of the drawing.ĭisadvantage: You cannot modify the lines after you draw them. Īdvantage: File sizes are not as heavy as when you use textured brushes on a vector layer, since each stroke does not have to be remembered individually.It is more efficient for storing texture information than a textured brush on a vector layer, so if you are creating drawings with a lot of texture, this may be a better option. However, the strokes cannot be edited with the Contour Editor or Perspective tool. This gives you finer control over the brush itself, as well as the shading and colour of the drawing. Instead of drawing lines, you are laying down the individual pixels. Although you cannot modify the position of the lines after you draw them, you can draw and erase. The colour is defined on a pixel-by-pixel basis.ĭrawing on a bitmap layer allows you to draw in a similar way to how you would in a bitmap tool like Photoshop or Painter. Bitmap graphics impart a more natural and soft look to your work. The bitmap lines you create are made of pixels on a grid that resemble tiny dots, which altogether make up the drawing you are creating or artwork you are importing. If you want to erase part of the drawing, just use the eraser tool.īitmap layers allow you to create 2D graphics. This behaves more like when you draw with a pencil on paper.
When you create a bitmap drawing layer and use the bitmap tools on this layer, you are drawing with the raw pixels instead of drawing with vector strokes. In addition to the time-proven vector tools, you can draw with different styles and textures for full artistic freedom.Ĭreate brushes with imported textures, and adjust a variety of parameters like flow, hardness, spacing, and many others to get a custom look.
#STORYBOARD PRO 4 SOFTWARE#
In Storyboard Pro, you now have the ability to draw directly in the software using bitmap drawing tools. You’ll also see improvements on the number and size of images that can be imported into a project. This gives you the freedom to use more of the computer’s resources, and allows the use of the new bitmap technology. Storyboard Pro technology is now supercharged on a 64-bit core.
Here are the new features and improvements in Storyboard Pro 4.0.
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